In cooperation with the artist, for this event JBM Promotions & The Southgate House Revival require all guests to wear masks, and provide proof of Covid vaccination or a negative Covid test within 72 hours of the show.
With her new album On My Own, Lynn has emerged not only with a clear vision of herself, but with an entirely self-propelled breakthrough: Lynn wrote, sang, produced and recorded On My Own alone. She also played every single instrument on the record. It is a magnificent album, haunting and wild. It is also a record that no one else could make, because no one else is Lera Lynn. “I think there is something special about a singular vision,” Lynn says. “That’s not to say there’s not something special about a shared vision, a collaborative vision. But I would be so thrilled to hear records made in isolation by my favorite artists, just to know what their uninfluenced vision of their music is.” She pauses, then adds, “I guess I just wanted to hear what my own imagination sounded like.”
Lynn has earned a loyal following, critical acclaim and the admiration of peers and heroes. She first came to international attention through her writing and performances on HBO’s True Detective. Throughout her career, nearly a decade-long run filled with four album releases and hundreds of shows on both sides of the Atlantic, Lynn has maintained her fierce independence and dedication to her fans.
Her latest On My Own Deluxe is available where music is consumed.
Candor and vulnerability cascade out of Grayson Jenkins’ songs on waves of circling guitar strums and sparkling choruses. Like fellow Kentuckian Sturgill Simpson, Jenkins tells stories with a shrewd sincerity, a hopeful resignation, and a canny insight into the ways of the world. Like Eric Church, Jenkins’ resonant baritone vocals echo powerfully enough to fill large halls, and like Keith Whitley, Jenkins sings with a tenderness that cradles his lyrics and delivers them to our hearts.
The Muhlenberg County, Kentucky, native’s musical versatility—playing everything from country and bluegrass to rock ‘n’ roll—has helped him create a diverse fan base, and he’s built his career on his own, self-funding his projects and doing whatever he’s needed to do to keep his music life rolling. He grew up listening to Johnny Cash, Waylon Jennings, Willie Nelson, Hank Williams, Jr., and later Sturgill Simpson, Eric Church, and Turnpike Troubadours.
Jenkins started writing songs in his senior year at the University of Kentucky in Lexington, Kentucky, and began playing a regular house gig in a bar in town around the same time, continuing to play there for four years. When Jenkins “realized people were responding to these songs,” he recalls, “I wanted to write songs for them. I wanted to write songs people could sing along to. I want to be my own artist but I also believe it’s my job to make people think, feel, dance, and forget about the world for a few minutes.”
In 2015, Jenkins released his first album, Down on Southland, and in 2017 he embarked on a career as a full-time musician, releasing the album Cityscapes & Countrysides that year. In 2019, Jenkins put out the Cowboy Dream EP and last year he released Hand Me Downs. Jenkins’ pop-drenched country folk gets listeners up and dancing and singing along to the songs, and his heartfelt lyrics stay with them long after the music stops.