Calendar

Presenting the Reunion Tour of “On A Winter’s Night” from veteran singer-songwriters John Gorka, Lucy Kaplansky, Patty Larkin, and Cliff Eberhardt who remain among the brightest stars of the singer/songwriter movement for the past three decades. In 1994 Christine Lavin gathered them together, along with folk and Americana artists to showcase music of the Winter Season on the now-classic On A Winter’s Night CD, followed by several years of touring collaborations. These artists have released dozens of recordings and toured steadily through the decades, with fond memories of their touring days together. The winter season is again celebrated by these unique and popular performers, back together by popular demand.

Forever Simon & Garfunkel: A Tribute celebrates the best selling duo in rock’n’roll history. With humor, soaring energy, charm, and laser precise harmony, Sean Altman & Jack Skuller lead the audience on a concert journey through Paul Simon and Art Garfunkel’s teenage roots, their early success as a groovy folk act, their global dominance as hit-makers, and even some of Paul Simon’s solo career. The Sound Of Silence, Bridge Over Troubled Water, Mrs. Robinson, I Am A Rock, The Boxer, Homeward Bound, Cecilia, Hazy Shade Of Winter, Feeling Groovy, Me & Julio Down by the Schoolyard, Kodachrome, and many more!

Award-winning singer-songwriters Sean Altman (Rockapella) & Jack Skuller (Songwriters Hall Of Fame Buddy Holly Prize) met on stage in 2010, when they were paired at a variety show to duet Mrs. Robinson. Jack had just celebrated his 14th birthday, and Sean had just celebrated his shiny new AARP card, but the audience found their December-January musical bromance and brotherly harmony to be enchanting and mesmerizing. The pair has toured as The Everly Set since 2016, celebrating the hits of The Everly Brothers. They formed Forever Simon & Garfunkel in 2020, and they tour both acts internationally.

Born in London in 1953, Hitchcock attended Winchester College and the City & Guilds Art School before moving to Cambridge in 1974. There he worked his way up from the folk clubs to found Dennis & The Experts who metamorphosed into The Soft Boys in 1976. Though light years away from first wave punk’s revolutionary clatter, the band still manifested the era’s spirit of DIY independence with their breakneck reimagining of British psychedelia. During their original lifetime, The Soft Boys released but two albums, among them 1980’s landmark LP, Underwater Moonlight. “The term ‘classic’ is almost as overused as ‘genius’ and ‘influential,’” declared Rolling Stone upon the album’s 2001 reissue. “But Underwater Moonlight remains all three of those descriptions.”  

Hitchcock launched his solo career with 1981’s Black Snake Diamond Röle, affirming his knack for idiosyncratic insight and surrealist hijinks. 1984’s I Often Dream Of Trains fused that approach with autumnal acoustic arrangements which served to deepen the emotional range of his songcraft. Robyn Hitchcock and The Egyptians were launched that same year and immediately lit up US college rock playlists with albums like 1986’s Element of Light. Cited as an influence by REM and The Replacements, he signed to A&M Records in 1987 and scored early ‘alternative’ hits with “Balloon Man” and “Madonna of the Wasps.” Hitchcock returned to his dark acoustic palette with 1990’s equally masterful Eye before joining the Warner Bros. label for a succession of acclaimed albums including 1996’s Moss Elixir and 1999’s Jewels For Sophia.  

The Soft Boys came together for a second go-around in 2001, releasing Nextdoorland on Matador Records to critical applause. Hitchcock joined the Yep Roc label in 2004, releasing collaborations with like-minded friends Gillian Welch and Dave Rawlings (2004’s Spooked) and legendary producer Joe Boyd (2014’s The Man Upstairs). Beginning in 2006, Hitchcock released a trio of albums backed by The Venus 3, featuring Peter Buck, Scott McCaughey, and the late Bill Rieflin.

Robyn moved to Nashville in 2015 and gravitated to the Music City community, recording 2017’s Robyn Hitchcock with an array of local talent including co-producer Brendan Benson. In 2019, he joined forces with XTC’s Andy Partridge for the four-song EP, Planet England.  

Locked down in Nashville by the global pandemic of 2020, he and his partner Emma Swift began their Sweet Home Quarantine livestream series, broadcasting weekly sets with their two cats, Ringo and Tubby. They also launched their own label and press, Tiny Ghost. 2021 saw the publication of Hitchcock’s first book, Somewhere Apart: Selected Lyrics 1977-1997, featuring 73 songs and 34 illustrations in a beautiful cloth-bound edition. In 2022 his first album for Tiny Ghost SHUFFLEMANIA! was released, recorded at home during lockdown with long-distance collaborators including Johnny Marr (Manchester) Sean Ono Lennon (New York) Kimberley Rew (Cambridge) and Davey Lane (Melbourne).  

June 2024 will see his second book, 1967 – How I Got There and Why I Never Left, published in the US by (?). To accompany this Tiny Ghost will release 1967 – Vacations in The Past an album of the pop hits of that year covered by Robyn on acoustic guitar with some of his friends in Cambridge and Melbourne.  
 

Celebrated guitarists, producers, band leaders and sonic shamans Luther Dickinson and JD Simo join forces in a trailblazing collaboration. The duo, known for their individual successes, mutual admiration, and deep friendship, have finally come together to create a musical project that transcends genres.

Luther Dickinson, one half of the 5-time Grammy-nominated North Mississippi All Stars and former Black Crowes lead guitarist has extensive production and session credits for artists like John Hiatt, Cedric Burnside, and William Bell.  JD Simo, the leader of his own solo project, boasts session and production credits for Jack White, Beyoncé, Chris Isaak, Stevie Nicks, Phil Lesh, and Baz Luhrmann's Elvis movie.

United by shared loves and a strong friendship, Luther and JD found themselves collaborating in the winter of 2022. The creative alchemy unfolded in JD's House Of Grease studio in Nashville, TN, where they were joined by JD's longtime partner, Adam Abrashoff. Together, they delved into a rich musical tapestry of old spirituals and hill country blues, infused with Afrobeat rhythms and psychedelic abandon. – melodies that float on the edge of danger in a beautiful and mystical dance.

Luther expresses the profound connection, stating, "We found our tribe in each other," while JD adds, "It's like turning on a faucet. It's so easy for us because we have the same sensibilities and influences, but we play nothing alike somehow. It's so beautiful and special."

What sets this collaboration apart is the dynamic interchange of bass, baritone, and guitar duties between Luther and JD, creating a unique sonic landscape, at once daring and seductive. JD predicts, "It's gonna be a fun show to watch, with these fat grooves and Luther and I switching instruments and such!"

The project will debut with digital singles in the spring of 2024, offering a taste of the magic these two maestros have conjured. A full-length album is set to follow later in the year, promising a musical experience built on love, truth, and GREASE! 

Join Luther, JD, and Adam on this extraordinary journey – keep it greasy!
 

In early 2022, exiled from his Los Angeles home and reeling from an intense breakup, actor-writer-director-songwriter Josh Radnor sought refuge in close friends and good music. He drove to Nashville, Tennessee with his dog, Nelson, and roughly fifty original songs in tow. There, despite the heartache that initially led him South, Radnor found deep peace, immersing himself in what would eventually become his debut solo album, Eulogy: Volume I + II. The process of sifting through the emotional complexities of love, loss, death, identity, grief, and redemption grew into a powerful outlet for healing. It also resulted in twenty-three beautifully minimal, meditative, and stirring folk-Americana tracks—a double-album debut, now available via all streaming platforms.ulogy: Volume I + II are gardens of carefully chiseled gravestones—a moment of respite in a frantic, overwhelming world. Produced and engineered by Nashville friends Jeremiah Dunlap, Cory Quintard, and Kyle Cox, the album’s dozen original tracks exude the unquestionable sturdiness characteristic of classic Americana—these songs tell you stories, make you stomp, and break your heart. Simple, anthemic melodies are laced with electronic elements and idiosyncratic twists, drawing comparisons to 1960s Laurel Canyon artists as well as modern folk acts like Edward Sharpe & the Magnetic Zeros. Each song feels substantial in its own way, intentionally created by a dynamic and introspective artist seeking to understand his own lived experiences. “At some point in the writing process, I realized that each track on this album is, in one way or another, about death,” Radnor says. “If not a literal death, then a metaphorical one. I was using these songs to honor—and then bury—parts of myself that were no longer serving me. The album is a song cycle of mini-funerals.”

Radnor’s grounded and intimate songwriting style blends the timeless art of existential questioning with relatable, down-to-earth narratives, in the vein of acts like Nick Drake, Alexi Murdoch, Bob Dylan, and Neil Young. Spanning the spectrum of human emotion—from rage to joy, grief to hope—the tracks seem to speak to one another like bodies in a room, alternately concealing, revealing, or connecting various thematic threads. Backed by sometimes rowdy, sometimes sparse instrumentation, there’s an alluring sense of vulnerability woven throughout the album, each track well-attuned to the emotion that sparked its creation. “All my work is a process of storytelling, in one form or another,” says Radnor. “After spending so much of my career telling stories that last ninety minutes or nine years, I’m finding some real joy these days in being more economical, telling three to four-minute stories.”

Songwriting is nothing new to Radnor, who began making music in 2013 with friend and celebrated Aussie artist, Ben Lee. The pair released two albums as Radnor & Lee—a self-titled debut in 2017, followed by sophomore album Golden State in 2020—and toured the U.S. together, playing small local venues as well as international gigs in Brazil, Argentina, and Australia. Bolstered by the crowd response to Radnor & Lee and enthusiastic support from musician friends, Radnor picked up a guitar along the way and began writing his own melodies and lyrics. Then, in 2021, he dropped his debut solo EP, titled One More Then I’ll Let You Go, via Flower Moon Records. The songs were produced by Ryan Dilmore and praised by American Songwriter for their sincerity, “clever craftsmanship” and “certain purity.” The EP also showcased Radnor’s emotionally-rich, unassuming vocal style and talent for nuanced reflections on life in the guise of relatable, human stories.